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| Kirk Demarais |
Rusty Reddirt asks: "Where are my headphones?" |
By Andrew W.
Griffin
Red
Dirt Report, editor
Posted: May 3, 2012
OKLAHOMA CITY – Water is clearly a major topic and
will be for the foreseeable future. Clifton Adcock at the Oklahoma Gazette wrote this week’s cover story – “Water War” about
the battle between the city and state vs. the Chickasaw and Choctaw tribes over
the water from Sardis Lake in southeastern Oklahoma.
Shockingly, Oklahoma City City Manager Jim Couch
makes a heap ‘o sense when he says that the courts need to iron out what “rights”
belong to the city/state and the tribes.
“Are we fighting about the water?” asks Couch. “Maybe,
but maybe we’re fighting about some other things. I think a lot of it is … sovereignty.
Establishing their sovereignty can lead to other things.”
This is a major issue we will be watching for a long
time to come.
On the entertainment side of things, specifically
music – a favorite topic for your Red Dirt Reporter – we had a mighty fine
interview with Clark Vogeler, guitarist for Fort Worth-based alt-rock band the
Toadies. We will be posting that interview in the next few days. They are
opening up for Social Distortion at the Diamond Ballroom next Tuesday. This is your chance to hear "Possum Kingdom" live!
One of the best Red Dirt bands in Oklahoma – Turnpike Troubadours
– have a new album coming out next week called Goodbye Normal Street. G.K. Hizer at the Urban Tulsa Weekly does an
interview with TT singer Evan Felker, who talks about the new album and next
week’s “intimate show” at the Mercury Lounge in Tulsa. We loved Diamonds & Gasoline and expect to
dig this new disc as well.
Texas country superstar Pat Green is coming to the
Wormy Dog Saloon next Wednesday and to the Lucky Star Casino in Clinton on May
11th, as part of his album release party for Songs We Wish We’d Written II, which is officially released next
Tuesday.
The first Songs
We Wish We’d Written, released in 2001, and featured Green with fellow
Texan Cory Morrow. This time, it’s just Pat Green and 10 cover tunes ranging
from the strummy, folky “Streets of Galilee” (an Aaron Lee Tasjan song) to an
interesting version of Tom Petty’s “Even The Losers.” Others include Lyle
Lovett’s “If I Had a Boat” (which features a great-sounding Cory Morrow) and Collective
Soul’s “The World I Know.” A great collection of cover songs. We are looking
forward to Pat Green’s return to Oklahoma.
Some albums we are listening to include: Let’s Go Eat the Factory by Guided By
Voices. This quirky band has some of the best song titles around – “Doughnut
for a Snowman” is a particular favorite. And then there’s punky-pop of “The
Unsinkable Fats Domino.” Robert Pollard and company always seem to keep your
attention with the lyrics alone. The music is icing on the musical cake.
What else? Canada’s Cowboy Junkies, a band we have
been thoroughly enjoying since 1988, when we first heard “Sweet Jane” and The Trinity Session. Their current Nomad
Series – they have released four installments (Renmin Park, Demons, and Sing in My Meadow were the first three
in the Nomad Series) – has been great.
The latest installment is The Wilderness.
“The Confession of Georgie E” and “F***, I Hate the Cold,” are classic Junkies
tunes. Margo Timmins’ voice still sounds great.
And then there’s the Nashville pop stuff. We have written
a lot about Rascal Flatts in recent years and always like to note that an Okie,
Joe Don Rooney, plays guitar for the popular trio. They have a new album – as they
usually do each year – and this one is simply titled Changed. We do like songs
like “Banjo” with its theme of escaping to the country. And then the upbeat
ballads like “Sunrise” shine. We like the guitar solo on this track.
Our copy included four “bonus tracks,” including the
“workin’ for the weekend” contemporary country-rocker “Friday.” Fans of Jason
Aldean will dig this song. The same could be said of the catchy and upbeat “Right
One Time.” The harmonies on the final “bonus track,” a cover of Shenandoah’s “Next
To You, Next To Me,” accompanied by some nice mountain instrumentation, dobro,
for instance, is a great addition as well.
Still, we were a bit more impressed with their 2010
release, Nothing Like This, as we
noted in this RDR review at the time. They seemed more engaged and creative on
that recording. Changed, despite the
title, seems like the guys are quite as inspired in the song department as they
were last time around.
Copyright
2012 Red Dirt Report